The mark of good design at Bethel Music is about keeping all your designs malleable and soft in your hands and keeping a humble heart before both the Lord and those in charge over you, so that every concept has the ability to be molded and stretched to perfectly fit the canvas it was designed for.
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It’s all pointing to the rich legacy and heritage of revival and praise and worship in Latin America — and that no matter how hard religion might try and keep people inside a box, the Spirit of God is flowing outside the limitations we try and put on Him; beathing NEW life into hearts today!
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Every newspaper article is either a testimony from someone in our community telling of God’s faithful goodness, or a scripture re-enforcing those timeless truths of provision and victory — after all, testimony (the re-telling of God-stories) is one of the most powerful prophetic acts we can do.
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The brief was simple enough, we decided to take conference on the road with the same simple message of "on Earth as in Heaven". For too long my branding efforts were minimalistic and clean, so I really wanted to experiment with an ultra modern feel whilst maintaining a little grunge and some 70s nostalgia.
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This album artwork was such a gift from God and it all came together in about 5 minutes. I love that the artwork came the same way these moments (songs) did - divinely curated by a loving Heavenly Father and gifted to His children freely.
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Introducing Taylor Ostrom (Sabo) from Redding, California. She’s one of the designers at Bethel Music and is the brains and artistic talent behind Cory Asbury’s “Reckless Love” and Steffany Gretzinger’s “Blackout” album artwork. Here she shares her story and gives us a glimpse into what it’s like to make album art.
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I've found that 9 times out of 10, when you allow yourself to re-create aspects of a project based on your gut...leadership will fall in line with your vision and adjust their previous boundaries...
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It takes a lot of time and practice to make it look effortless and messy.
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As you can imagine, this was a harsh word to hear and I grappled with it for days. However, I told God that I would give these things up in order to know Him better. My spirit and truth worship was actually not found in singing songs, but rather through creativity in design and hand lettering.
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I remember being very young, believing in the power of prayer, and fervently asking the Lord if one day I could design an album for Darlene Zschech.
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In moments of frustration or lack of inspiration, Holy Spirit is always waiting and willing to help us.
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